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Long-Tailed Red Fox by John Woodhouse Audubon

Long-Tailed Red Fox

John Woodhouse Audubon·1848/1854

Historical Context

John Woodhouse Audubon's Long-Tailed Red Fox (1848-1854) was painted for the "Viviparous Quadrupeds of North America" project, the ambitious sequel to his father's "Birds of America" that documented North American mammals. By this period, the elder Audubon's health was failing, and John Woodhouse bore primary responsibility for the paintings. These mammal studies represent some of the most accomplished American wildlife painting of the mid-nineteenth century, combining artistic quality with the documentary precision required for a scientific publication.

Technical Analysis

The oil painting demonstrates John Woodhouse Audubon's skilled rendering of animal fur through varied brushwork — longer, directional strokes for the fox's coat and finer detail for the face — set against a naturalistic landscape background.

Provenance

The artist [1812-1862]; probably by inheritance to his second wife, Caroline Hall Audubon [1811-1899], Salem, New York; by inheritance to their son, William Bakewell Audubon [1847-1932], Australia; by inheritance to his son, Leonard Benjamin Audubon [1888-1951], Sydney, Australia;[1] sold 1950 to E.J.L. Hallstrom [1886-1970], Sydney, Australia; gift 1951 to NGA. [1] Handwritten in ink on the back of the painting is: "B.P. Audubon." John James Audubon had four children, one of whom was John Woodhouse Audubon [1812-1862]. The younger Audubon married twice; he had two children with his first wife, Maria Bachman [1816-1840], and seven with his second wife, Caroline Hall [1811-1899]. Of the seven, five lived to adulthood, and the youngest was Benjamin P. Audubon [1855-1886], whose name is written on the back of the painting. His older brother, William Bakewell Audubon [1847-1932], left the United States for Australia in either 1880 or 1882. He began a new life raising sheep near Yass, a small town about 250 miles west of Sydney. He married Lucy Ann Grovenor in 1885, and they had two children, Leonard Benjamin and Ella Caroline. According to a letter of 9 July 1952 from Ella Caroline Audubon to John Walker (in NGA curatorial files), Audubon paintings were sent to Australia in 1899 or 1900, which would correspond with the death of Caroline Hall Audubon on 1 February 1899. Miss Audubon's letter states that her father arrived in Australia 8 April 1880. However, Walter Audubon gives 21 January 1882 as the date that William Bakewell Audubon sailed for Australia, and he writes also that it was William who "brought with him many paintings by his grandfather, John James Audubon" (see Walter Audubon, _Last of the Audubon Line: The Descendants of John Woodhouse Audubon_, Franklin, North Carolina, 2002: 72-79).

See It In Person

National Gallery of Art

Washington, D.C., United States

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Quick Facts

Medium
Oil on canvas
Dimensions
overall: 56.2 × 69.3 cm
Era
Romanticism
Style
British Romanticism
Genre
Animal
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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