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Job and His Daughters
William Blake·1799/1800
Historical Context
Blake's Job and His Daughters from 1799-1800 belongs to his biblical series commissioned by Thomas Butts, depicting the Old Testament patriarch who tested God's faith through extreme suffering and whose eventual restoration was a model of divine providence. Job was one of Blake's primary subjects — he returned to the figure in his most celebrated late work, the Book of Job Illuminations of 1823-26 — and this early painting documents his first sustained engagement with a narrative he would develop for three decades. The daughters represent the restoration of blessing and family after Job's trials, and Blake renders them with the graceful linearity that characterized his figure painting throughout his career.
Technical Analysis
Blake's unconventional technique of pen and tempera on canvas creates a distinctive linear clarity with flattened forms and bold outlines, deliberately rejecting academic illusionism in favor of a visionary, almost medieval aesthetic.
Provenance
Painted for Thomas Butts [1757-1845];[1] by descent to Thomas Butts, Jr. (sale, Messrs. Foster, London, 29 June 1853, no. 86), bought by J.C. Strange, Highgate. (Harvey), London, by c. 1865. William Bell Scott by 1876 (sale, Sotheby's, London, 14 July 1892, no. 236), bought by (Bernard Quaritch), London. Charles Eliot Norton, Cambridge, Massachusetts [d. 1908]. Gabriel Wells. George C. Smith, Jr., by 1930 (sale, Parke-Bernet, New York, 2-3 November 1938, 1st day, no. 109, repro.), bought by (Rosenbach & Co.), Philadelphia, for Lessing J. Rosenwald, Philadelphia; gift to NGA, 1943. [1] One of a series of over 135 illustrations to the Bible commissioned by Thomas Butts, Blake's most important patron.






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