
Madonna and Child
Massimo Stanzione·1635/1640
Historical Context
Massimo Stanzione's Madonna and Child, painted between 1635 and 1640, is a devotional work by one of the most important painters of the Neapolitan Baroque. Stanzione was known as the "Neapolitan Guido Reni" for his classicizing, elegant style that provided a lyrical counterpoint to the more dramatic naturalism of Caravaggio's Neapolitan followers. He ran a large workshop that trained the next generation of Neapolitan painters.
Technical Analysis
The oil on canvas shows Stanzione's refined technique, with smooth, luminous flesh tones and a warm, golden palette. The idealized beauty of the Madonna and the soft sfumato modeling reflect his synthesis of Bolognese classicism with the rich coloring of Neapolitan painting.
Provenance
Charles H.W. Verbeck [1932-2009], Washington, D.C.; (his estate sale, spring 2010); purchased by Todd McDonald, Washington, D.C.; gift 2022 to NGA.

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