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Alexander Condemning False Praise by Francesco de Mura

Alexander Condemning False Praise

Francesco de Mura·1760s

Historical Context

Francesco de Mura painted Alexander Condemning False Praise in the 1760s, treating a moral exemplum from the life of Alexander the Great. De Mura was the last great representative of the Neapolitan Baroque decorative tradition, inheriting the mantle of his teacher Francesco Solimena. His history paintings and decorative cycles in churches and palaces across Naples demonstrate the continuation of the grand manner well into the age of Neoclassicism.

Technical Analysis

De Mura's oil on canvas demonstrates the luminous palette and fluid brushwork of the late Neapolitan Baroque. The theatrical composition and graceful figure arrangement reflect both Solimena's dramatic approach and the lighter touch of the emerging Rococo sensibility.

Provenance

(Hazlitt, Gooden & Fox, London), by 1962.[1] purchased by Joseph F. McCrindle [1923-2008]; bequest to NGA. [1] The painting appeared in Hazlitt Gallery's exhibition of May 1962, and is also listed as being with "Hazlitt Gallery" in London by Nicola Spinosa, _Pittura napoletana del Settecento dal Barocco al Rococò_, Naples, 1986: 167, no. 282, fig. 339.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 76 × 63.4 cm
Era
Rococo
Style
Venetian Rococo
Genre
History
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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