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Joshua Commanding the Sun to Stand Still upon Gibeon by John Martin

Joshua Commanding the Sun to Stand Still upon Gibeon

John Martin·1816

Historical Context

John Martin's Joshua Commanding the Sun to Stand Still upon Gibeon from 1816 is a defining work of the Romantic sublime, depicting the biblical miracle in which God halted the heavens at Joshua's command to allow the Israelites to complete their victory. Martin specialized in apocalyptic landscapes of vast scale and dramatic lighting that thrilled popular audiences while scandalizing academic critics. His paintings were among the most widely reproduced images of the Romantic era.

Technical Analysis

Martin's oil-on-canvas technique creates a landscape of immense scale through extreme contrasts of light and darkness and vertiginous spatial recession. The tiny figures dwarfed by cosmic events and the dramatic burst of celestial light demonstrate his mastery of the Romantic sublime.

Provenance

Purchased 1822 by William Collins. Thomas Wilson, until 1848. John Naylor, until 1889; John M. Naylor; (his sale, Leighton Hall, Welshpool, 23 January 1923, no. 41). Anonymous gift 1924 to the United Grand Lodge of England; purchased 28 May 2004 through (Thomas Agnew & Sons, Ltd.) by NGA.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 150 × 231 cm
Era
Romanticism
Style
British Romanticism
Genre
Religious
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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The Covenant by John Martin

The Covenant

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Ruins of an Ancient City by John Martin

Ruins of an Ancient City

John Martin·c. 1810–20

Adam listening to the voice of God the Almighty by John Martin

Adam listening to the voice of God the Almighty

John Martin·ca. 1823-ca. 1827

Sadak in Search of the Waters of Oblivion by John Martin

Sadak in Search of the Waters of Oblivion

John Martin·1812

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