
Village near a Pool
Meindert Hobbema·c. 1670
Historical Context
Hobbema's Village near a Pool from around 1670 is a late work that shows him maintaining his characteristic approach to Dutch wooded landscape into the period after he had largely stopped painting following his appointment as a wine gauger for Amsterdam in 1668. After his municipal appointment, Hobbema painted very little — he had a secure income and apparently no need for the commercial pressures that had sustained his earlier productivity. His occasional late paintings, like this village with a pool, show his style fully mature and undiminished, the combination of water, trees, and modest rural architecture rendered with his characteristic warm light and precise observation.
Technical Analysis
Hobbema renders the village and trees with careful detail, their reflections in the pool painted with slightly softened, horizontal brushstrokes. The warm palette and luminous sky create a serene, sunlit atmosphere, while the still water provides a reflective surface that adds depth and visual interest to the composition.
Provenance
Count Santar, Lisbon, and around 1850, London.[1] (Hamburger, Paris); sold 1909 to Peter A. B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A. B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park. Pennsylvania; gift 1942 to NGA. [1] Cornelis Hofstede de Groot, _A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeent Century_, 8 vols., trans. Edward G. Hawke, London, 1907-1927: 4:385, no. 47.






