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Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848) by Elisabeth Louise Vigée Le Brun

Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)

Elisabeth Louise Vigée Le Brun·1789

Historical Context

Vigée Le Brun's 1789 portrait of the Comtesse de la Châtre was painted on the very eve of the French Revolution that would send both artist and subject into exile. The Comtesse's aristocratic elegance and the painting's refined naturalism represent the culmination of ancien régime portraiture. Vigée Le Brun fled Paris in October 1789, beginning a twelve-year exile during which she portrayed the courts of Italy, Vienna, and Russia.

Technical Analysis

Vigée Le Brun's oil-on-canvas technique achieves the luminous skin tones and natural, unforced elegance that characterize her finest portraits. The restrained palette and flowing composition demonstrate her mastery of presenting aristocratic beauty with both naturalism and idealization.

See It In Person

The Metropolitan Museum of Art

New York, United States

Gallery: 632

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
114.3 × 87.6 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
The Metropolitan Museum of Art, New York
Gallery
632
View on museum website →

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Julie Le Brun (1780–1819) Looking in a Mirror by Elisabeth Louise Vigée Le Brun

Julie Le Brun (1780–1819) Looking in a Mirror

Elisabeth Louise Vigée Le Brun·1787

Madame Grand (Noël Catherine Vorlée, 1761–1835) by Elisabeth Louise Vigée Le Brun

Madame Grand (Noël Catherine Vorlée, 1761–1835)

Elisabeth Louise Vigée Le Brun·1783

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