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Diego Pignatelli d'Aragona (1687–1750) and an Enslaved Servant by Francesco Solimena

Diego Pignatelli d'Aragona (1687–1750) and an Enslaved Servant

Francesco Solimena·probably 1731 or 1732

Historical Context

Solimena's portrait of Diego Pignatelli d'Aragona with an enslaved servant, probably painted in 1731 or 1732, depicts a member of one of Naples' most powerful aristocratic families. The Pignatelli held numerous titles and played a major role in the political life of the Kingdom of Naples under Spanish and then Austrian rule. This grand Baroque portrait format, with the nobleman accompanied by a servant, follows conventions established by Van Dyck and continued in southern European court painting.

Technical Analysis

Solimena's grand manner portrait style employs a rich, dark palette with luminous flesh tones and elaborate rendering of aristocratic costume. The composition creates a clear social hierarchy through scale and positioning, with the nobleman's commanding presence dominating the canvas.

See It In Person

The Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
59.1 × 46.4 cm
Era
Rococo
Style
Venetian Rococo
Genre
Portrait
Location
The Metropolitan Museum of Art, New York
View on museum website →

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The Risen Christ Appearing to the Virgin by Francesco Solimena

The Risen Christ Appearing to the Virgin

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More from the Rococo Period

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Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

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Arcadian Landscape with Figures

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