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Admiral Sir Chaloner Ogle (1726–1816) by George Romney

Admiral Sir Chaloner Ogle (1726–1816)

George Romney·1754

Historical Context

Romney's male portraits demonstrate his command of the straightforward formal conventions of late Georgian portraiture — the three-quarter length, dark coat, and plain background that were the standard format for professional and aristocratic male sitters — while bringing his characteristic warmth and directness to the characterization of individual faces. His male sitters are presented with the comfortable authority appropriate to men of position and achievement, the formal conventions of the portrait genre providing a framework within which each face's specific character could be communicated through the precise rendering of eyes, mouth, and posture.

Technical Analysis

The early portrait shows Romney's fundamental gift for likeness and characterization before his style was refined by Italian study. The technique is competent but more conservative than his later work, with careful modeling and a restrained palette. The sitter's naval authority is conveyed through direct composition and steady gaze.

See It In Person

The Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
76.2 × 62.5 cm
Era
Rococo
Style
English Rococo
Genre
Portrait
Location
The Metropolitan Museum of Art, New York
View on museum website →

More by George Romney

Mrs. Francis Russell by George Romney

Mrs. Francis Russell

George Romney·1785–87

Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782) by George Romney

Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782)

George Romney·1781

Portrait of a Man by George Romney

Portrait of a Man

George Romney·1754

Self-Portrait by George Romney

Self-Portrait

George Romney·1795

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