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Portrait of a Woman with a Lace Collar by Michiel Jansz. van Mierevelt

Portrait of a Woman with a Lace Collar

Michiel Jansz. van Mierevelt·ca. 1632–35

Historical Context

Van Mierevelt's Portrait of a Woman with a Lace Collar from the early 1630s exemplifies the Dutch portrait convention of presenting female sitters in sober dark dress enlivened by elaborate white lace collars. The millstone ruff was a hallmark of Dutch fashion during this period, and its meticulous rendering was a test of the portraitist's skill. Van Mierevelt's workshop produced portrait variations to meet the enormous demand from the Dutch patriciate.

Technical Analysis

The oil-on-wood panel demonstrates van Mierevelt's exceptional skill in rendering the intricate patterns of the lace collar against the dark costume. The precise, controlled brushwork and neutral lighting create a clear, legible image suited to the portrait's commemorative function.

See It In Person

The Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil on wood
Dimensions
74.6 × 60.3 cm
Era
Baroque
Style
Baroque
Genre
Portrait
Location
The Metropolitan Museum of Art, New York
View on museum website →

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Jacob van Dalen (1570–1644), Called Vallensis by Michiel Jansz. van Mierevelt

Jacob van Dalen (1570–1644), Called Vallensis

Michiel Jansz. van Mierevelt·1640

Margaretha van Clootwijk (born about 1580/81, died 1662) by Michiel Jansz. van Mierevelt

Margaretha van Clootwijk (born about 1580/81, died 1662)

Michiel Jansz. van Mierevelt·1639

Maurice, Prince of Orange by Michiel Jansz. van Mierevelt

Maurice, Prince of Orange

Michiel Jansz. van Mierevelt·1613

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