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André François Alloys de Theys d'Herculais (1692–1779) by Nicolas de Largillière

André François Alloys de Theys d'Herculais (1692–1779)

Nicolas de Largillière·1727

Historical Context

Nicolas de Largilliere's portrait of Andre Francois Alloys de Theys d'Herculais, painted in 1727, depicts a member of the French provincial nobility during the Regency period. Largilliere was the leading portrait painter in Paris, rivaling Hyacinthe Rigaud for the patronage of the French elite. While Rigaud specialized in the most formal court portraits, Largilliere's style was somewhat more relaxed and natural, making him the preferred painter of the wealthy Parisian bourgeoisie and provincial aristocracy.

Technical Analysis

Largilliere's oil-on-canvas technique demonstrates his mastery of the grand French portrait format, with rich, warm color and fluid, confident brushwork. The costume is rendered with particular skill, the silk and lace painted with the material brilliance that distinguished French Baroque portraiture.

See It In Person

The Metropolitan Museum of Art

New York, United States

Gallery: 629

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
137.8 × 105.4 cm
Era
Rococo
Style
Venetian Rococo
Genre
Portrait
Location
The Metropolitan Museum of Art, New York
Gallery
629
View on museum website →

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Nicolas de Largillière·1734

Portrait of a Young Man and His Tutor by Nicolas de Largillière

Portrait of a Young Man and His Tutor

Nicolas de Largillière·1685

Elizabeth Throckmorton, Canoness of the Order of the Dames Augustines Anglaises by Nicolas de Largillière

Elizabeth Throckmorton, Canoness of the Order of the Dames Augustines Anglaises

Nicolas de Largillière·1729

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