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Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850) by Goya (Francisco de Goya y Lucientes)

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)

Goya (Francisco de Goya y Lucientes)·1804

Historical Context

Goya's 1804 portrait of Josefa de Castilla Portugal y van Asbrock de Garcini depicts a woman of the Spanish colonial administrative class during the volatile final years of Charles IV's reign. This pendant portrait, paired with that of her husband Ignacio Garcini, belongs to Goya's mature period when his portraits achieved an unprecedented psychological intensity. The year 1804, just before the upheavals of the Peninsular War, marked a watershed in Spanish political life.

Technical Analysis

Goya's oil-on-canvas technique demonstrates his characteristic economy of means, with fluid brushwork suggesting fabrics and features with minimal strokes. The dark background and focused lighting on the face create the penetrating psychological directness that distinguishes Goya's mature portraits.

See It In Person

The Metropolitan Museum of Art

New York, United States

Gallery: 641

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
104.1 × 82.2 cm
Era
Romanticism
Style
Spanish Romanticism
Genre
Portrait
Location
The Metropolitan Museum of Art, New York
Gallery
641
View on museum website →

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Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers by Goya (Francisco de Goya y Lucientes)

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers

Goya (Francisco de Goya y Lucientes)·1804

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