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The Parable of the Mote and the Beam by Domenico Fetti

The Parable of the Mote and the Beam

Domenico Fetti·ca. 1619

Historical Context

Fetti's Parable of the Mote and the Beam, painted around 1619, illustrates Christ's teaching about hypocrisy — condemning others for small faults while ignoring one's own greater failings. This is one of Fetti's finest parable paintings from his Mantuan period, treating a theological subject with the naturalistic genre approach that was his distinctive contribution. His parable series was so successful that multiple workshop copies were produced to meet demand.

Technical Analysis

Fetti's oil-on-wood technique creates a warm, golden atmosphere with the loose, fluid brushwork that characterizes his best work. The two figures are rendered with convincing naturalism, their expressions and gestures communicating the parable's meaning with genre-like directness.

See It In Person

The Metropolitan Museum of Art

New York, United States

Gallery: 620

Visit museum website →

Quick Facts

Medium
Oil on wood
Dimensions
61.3 × 44.1 cm
Era
Baroque
Style
Italian Baroque
Genre
Religious
Location
The Metropolitan Museum of Art, New York
Gallery
620
View on museum website →

More by Domenico Fetti

Melancholia by Domenico Fetti

Melancholia

Domenico Fetti·c. 1615

The Good Samaritan by Domenico Fetti

The Good Samaritan

Domenico Fetti·ca. 1618–22

The Parable of Lazarus and the Rich Man by Domenico Fetti

The Parable of Lazarus and the Rich Man

Domenico Fetti·1618/1628

The Veil of Veronica by Domenico Fetti

The Veil of Veronica

Domenico Fetti·c. 1618/1622

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

Lodovico Carracci·c. 1602

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612