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Portrait of a Man by George Engleheart

Portrait of a Man

George Engleheart·ca. 1780

Historical Context

George Engleheart's Portrait of a Man on ivory dates from around 1780, during his prime as the most prolific miniaturist of Georgian England. Engleheart produced an astonishing number of miniatures—over 4,800 in his career—serving the insatiable demand for portable portrait keepsakes among the English gentry. The ivory support, which became the standard for miniatures in the 18th century, provided a luminous, skin-like ground.

Technical Analysis

The miniature on ivory exploits the translucent support to create warm, glowing flesh tones through delicate stippling and hatching. Engleheart's precise technique captures the sitter's likeness within the tiny format while maintaining the luminous quality that distinguished ivory miniatures.

See It In Person

The Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Ivory
Dimensions
Oval, 1 1/4 × 1 1/8 in. (32 × 29 mm)
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
The Metropolitan Museum of Art, New York
View on museum website →

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Portrait of a Lady by George Engleheart

Portrait of a Lady

George Engleheart·c. 1790

Mrs. Peter De Lancey (Elizabeth Colden, 1720–1784) by George Engleheart

Mrs. Peter De Lancey (Elizabeth Colden, 1720–1784)

George Engleheart·1783

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