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Portrait of a Man with a Pointed Collar by Corneille de Lyon

Portrait of a Man with a Pointed Collar

Corneille de Lyon·1533

Historical Context

Corneille de Lyon's Portrait of a Man with a Pointed Collar from 1533 demonstrates the consistent visual formula that made his portraits so appealing to French court clients: small panel, figure to the waist, light-colored ground, precise facial observation, and neutral psychological expression that reveals character through feature rather than theatricality. The pointed collar was a fashionable detail that dated the painting precisely to the early 1530s — costume was one of the primary dating tools for Corneille's work, as his style itself changed little across his long career. His success at the French court reflected the Valois monarchy's taste for refined, psychologically discreet portraiture that flattered subjects without obviousness.

Technical Analysis

The small panel shows Corneille's characteristic precision, with the pointed collar rendered with delicate brushwork and the face modeled with subtle tonal gradations. The thin, smooth paint application and careful drawing create an effect of crystalline clarity within the miniature format.

See It In Person

The Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil on wood
Dimensions
14.3 × 12.1 cm
Era
Mannerism
Style
Northern Mannerism
Genre
Portrait
Location
The Metropolitan Museum of Art, New York
View on museum website →

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Portrait of Louise de Halluin, dame de Cipierre by Corneille de Lyon

Portrait of Louise de Halluin, dame de Cipierre

Corneille de Lyon·c. 1555

Portrait of a Man by Corneille de Lyon

Portrait of a Man

Corneille de Lyon·c. 1555

Portrait of a Man with a Gold Chain by Corneille de Lyon

Portrait of a Man with a Gold Chain

Corneille de Lyon·1533

Portrait of a Man with Gloves by Corneille de Lyon

Portrait of a Man with Gloves

Corneille de Lyon·ca. 1535

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