ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Louis Stanislas Xavier de France, comte de Provence by Maurice Quentin de La Tour

Louis Stanislas Xavier de France, comte de Provence

Maurice Quentin de La Tour·1762

Historical Context

Louis Stanislas Xavier, Count of Provence, was the future Louis XVIII — the Bourbon king who would eventually reign after Napoleon's fall. La Tour's pastel of 1762, now in the Louvre's Department of Prints and Drawings, was made when the Count was only three years old, as the grandson of Louis XV and a figure of dynastic significance. Pastel studies of royal children were made as records for the royal family and for diplomatic circulation, serving a political function alongside their aesthetic one. By 1762 La Tour was the leading pastellist in France and the portraitist of choice for the royal family and court, making his commission for this image of the young prince a natural outcome of his position. The Louvre provenance — in the drawings department rather than the paintings galleries — reflects the dual status of pastel as both drawing medium and finished artwork.

Technical Analysis

Pastel on paper, with the delicacy appropriate to a portrait of a three-year-old royal child. La Tour's usual analytical intensity is modulated here toward a softer, more open treatment of the child's features, while maintaining the precision that distinguished him from less rigorous pastellists.

Look Closer

  • ◆The sitter's age of three in 1762 means this is an image of the future Louis XVIII in early childhood
  • ◆Pastel's soft surface suits the rendering of a young child's features more naturally than oil's harder finish
  • ◆The Louvre's Prints and Drawings Department reflects pastel's status as both drawing medium and finished artwork
  • ◆Royal children's portraits served diplomatic as well as personal purposes, circulating as tokens of dynastic existence

See It In Person

Department of Prints and Drawings of the Louvre

,

Visit museum website →

Quick Facts

Medium
pastel
Era
Rococo
Genre
Genre
Location
Department of Prints and Drawings of the Louvre, undefined
View on museum website →

More by Maurice Quentin de La Tour

Jean Charles Garnier d'Isle (1697–1755) by Maurice Quentin de La Tour

Jean Charles Garnier d'Isle (1697–1755)

Maurice Quentin de La Tour·ca. 1750

Prince Henry Benedict Clement Stuart, 1725 - 1807. Cardinal York by Maurice Quentin de La Tour

Prince Henry Benedict Clement Stuart, 1725 - 1807. Cardinal York

Maurice Quentin de La Tour·1746

Portrait of Mademoiselle Sallé by Maurice Quentin de La Tour

Portrait of Mademoiselle Sallé

Maurice Quentin de La Tour·

The Abbé Jean-Jacques Huber Reading (1699 –1747) by Maurice Quentin de La Tour

The Abbé Jean-Jacques Huber Reading (1699 –1747)

Maurice Quentin de La Tour·1742

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700