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Jean-Joseph Cassanéa de Mondonville (1711–1772), French violinist and composer
Historical Context
Jean-Joseph Cassanéa de Mondonville was one of the leading French musicians of the mid-eighteenth century — a violinist, composer, and superintendent of the royal chapel whose operas and sacred works shaped the Parisian musical scene during the Querelle des Bouffons. La Tour's pastel of Mondonville belongs to a group of portraits the artist made of French musical and theatrical celebrities, paralleling his practice of portraying literary and philosophical figures. The Musée Antoine-Lécuyer holds this work as part of its comprehensive La Tour collection. Music and theatre were central to Rococo cultural life, and a portrait by La Tour conferred the same cultural prestige on a musician as it did on a philosophe or a court figure.
Technical Analysis
Pastel on paper, with La Tour's characteristic analytical handling applied to a musical sitter. The face receives the full intensity of his observation, while dress and accessories signal the sitter's professional and social status. La Tour's dense, layered pastel surface is fully realised in this image of a celebrated performer.
Look Closer
- ◆Mondonville's role in the Querelle des Bouffons made him a central figure in the mid-century musical culture wars
- ◆La Tour's portraits of musicians parallel his portraits of philosophes, asserting their equivalent cultural prestige
- ◆The face carries the alertness of a practising performer, distinct from the more formal bearing of court sitters
- ◆Musée Antoine-Lécuyer holds this work within the largest concentrated collection of La Tour's portraits
See It In Person
More by Maurice Quentin de La Tour

Jean Charles Garnier d'Isle (1697–1755)
Maurice Quentin de La Tour·ca. 1750

Prince Henry Benedict Clement Stuart, 1725 - 1807. Cardinal York
Maurice Quentin de La Tour·1746
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Portrait of Mademoiselle Sallé
Maurice Quentin de La Tour·
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The Abbé Jean-Jacques Huber Reading (1699 –1747)
Maurice Quentin de La Tour·1742



