Four Saints (St George, St Catherine, St Margaret and St Andrew) after designs by Alexander Christie and Silas Rice

This 1848 panel presents four saints — George, Catherine, Margaret, and Andrew — executed after designs by Alexander Christie and Silas Rice, placing Faed in the role of skilled executant rather than sole inventor. Such collaborative arrangements were common in Victorian ecclesiastical and decorative art, where designers, craftsmen, and painters worked in differentiated roles. The choice of saints is significant: George and Andrew are patron saints of England and Scotland respectively, while Catherine and Margaret were among the most popular female saints of the medieval and early modern periods. The work's religious iconography and its National Galleries Scotland provenance suggest a commission related to church decoration or devotional publishing rather than the secular genre painting for which Faed was primarily known.

Oil on canvas with a hierarchical compositional arrangement typical of devotional panel painting. The colour scheme likely follows the symbolic traditions of Christian iconography — red for martyrdom, blue for heaven — applied with Faed's technically competent but restrained handling.