Enthroned Christ with an angel from the scene "Coronation of the Blessed Virgin Mary" (right part). Artistic reconstruction of a stained-glass panel from the Dominican church in Kraków

The right counterpart to the preceding reconstruction, this 1895 drawing shows the enthroned Christ with an angel from the same Coronation scene in the Dominican church in Kraków. Reconstructed on tracing paper in the same 1895 campaign as the other Dominican series drawings, it completes the bilateral symmetry of the Coronation of the Virgin composition: Christ on the right corresponding to Mary on the left, each attended by angels in the flanking positions typical of Gothic Coronation iconography. Wyspiański's reconstruction project for the Dominican windows was one of the most thorough exercises in medieval art documentation undertaken in late nineteenth-century Poland, and these drawings served both scholarly and creative purposes — feeding his own design vocabulary for the ecclesiastical commissions that would follow. The Christ figure's regal pose and attributes within the Gothic framework demonstrate the medieval workshop tradition that Wyspiański was simultaneously documenting and absorbing.

Tracing paper and pencil for this right-panel reconstruction mirrors the technique used for all the Dominican series drawings. The handling of Christ's figure — enthroned, frontal, crowned — requires the same archaeological precision as the Mary panel, with Wyspiański carefully distinguishing between areas of secure reconstruction and those that require interpolation from iconographic convention.