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End of a Sofa
Historical Context
'End of a Sofa,' undated and painted on cardboard, now at York Art Gallery, is an intimate fragment or study in which Moore focuses on the extremity of a piece of furniture — perhaps a foot or cushion end — as a setting for a small figure study. York Art Gallery's collection emphasises the relationship between fine art and design traditions that Moore's work embodied. The cardboard support suggests this is a study or a work produced in a different register from his major canvases, and the unusual framing — the 'end' rather than the whole — reflects Moore's ability to find compositional interest in partial, unconventional viewpoints. The title's specificity is itself characteristic: Moore named works after the elements that gave them their visual character, not after any subject or narrative.
Technical Analysis
The cardboard support gives the surface a different quality from stretched canvas — slightly absorbent, allowing the paint to sit in a matte register that suits the intimate scale. Moore works within the constraints of the limited surface area, using precise economical brushwork that distils his larger compositional methods into a smaller format.
Look Closer
- ◆The cardboard support produces a matte surface quality that gives this work an intimate, sketch-like character distinct from his exhibition canvases.
- ◆The 'end of a sofa' viewpoint focuses on furniture form as a compositional element, reflecting Moore's interest in decorative design as well as figure painting.
- ◆Small scale forces an economy of means that strips Moore's method to its essentials: tonal relationship and rhythmic line.
- ◆This work demonstrates Moore's engagement with domestic objects as aesthetic subjects, connecting him to the broader Aesthetic Movement's interest in interior design.


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