
Da Monleale
Historical Context
Da Monleale — a locality in the Piedmontese hills of Volpedo's home region — represents Pellizza da Volpedo's engagement with landscape painting as a parallel practice alongside his figure-based social and allegorical work. Painted in 1890 on cardboard, a support often used for studies and plein air sketches, this work reflects the artist's grounding in the specific geography of his native Monferrato district in Piedmont. The region's hills, fields, and light conditions appear repeatedly in Volpedo's backgrounds and landscapes, providing him with direct visual knowledge of the rural environment his workers inhabit. By 1890 he was actively developing his Divisionist technique, and landscape subjects offered an ideal testing ground for experimenting with how divided color could render natural light and atmosphere. The cardboard support and modest format suggest this is a direct observational work rather than a finished studio painting.
Technical Analysis
The cardboard support typical of plein air studies allows the dark ground tone to show through in thinner areas, enriching the shadow values. Volpedo's developing Divisionist approach would break local color into component strokes, testing how the technique handled the shifting light of the Piedmontese landscape. The relatively small format encourages direct, economical handling.
Look Closer
- ◆The cardboard support creates a warm ground tone visible where paint is applied thinly
- ◆Landscape elements — hills, fields, sky — are the primary subject, revealing Volpedo's observational practice
- ◆Divisionist comma-like strokes may be visible in the sky and foliage areas
- ◆The Monferrato hills appear as the direct source for the rural landscapes of his major figurative works

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