Countess Széchenyi
Historical Context
Ferdinand Georg Waldmüller, the foremost Austrian painter of the Biedermeier period, painted this portrait of Countess Széchenyi in 1828. Waldmüller was celebrated for his remarkably precise, almost photographic naturalism, which he achieved through meticulous direct observation rather than idealization. The Széchenyi family was one of the most prominent Hungarian noble families, and this portrait reflects the cultural interchange between Vienna and Budapest in the Metternich era, when the Austrian capital served as the social center for the multinational Habsburg aristocracy.
Technical Analysis
Waldmüller's signature crystal-clear naturalism is evident in the precise rendering of the Countess's features and costume, with a luminous clarity of light and careful attention to surface textures that anticipate photographic realism.
Provenance
Possibly Dr. Izidor Deutsch [d. 1906], Budapest; Maximilian Mauthner, Schloss Feistritz, Wechsel, Austria; (Sale, Dorotheum, Vienna, June 15, 1925, lot 69); Possibly Dr. Paul Eger [1881-1947], Basel; (Sale, Galerie Fischer, Lucerne, Nov. 7-9, 1940, lot 1250, sold to Galerie Nathan); (Galerie Nathan, Zürich); (Erich von Kreibig, Munich); (Sale, Neumeister, Munich, Sept. 20-22, 1972, lot 1689; (Galerie Grünwald, Munich); Private collection, Munich; (David Carritt, Ltd./Artemis Group, London, and Galerie Sanct Lucas, Vienna, sold to the Cleveland Museum of Art); The Cleveland Museum of Art, Cleveland, OH






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