Saint Mary Magdalen
Simon Vouet·c. 1630
Historical Context
Simon Vouet's Saint Mary Magdalen (c. 1630) dates from after his return to Paris from fifteen years in Italy, where he had absorbed both Caravaggist naturalism and the classicizing Baroque style of Bologna. Vouet was recalled to France by Louis XIII in 1627 to serve as Premier Peintre du Roi, and he effectively established the French Baroque style, training the next generation of French painters including Le Brun, Le Sueur, and Mignard. This Magdalen — the repentant sinner gazing heavenward — became one of the most popular devotional subjects of the Counter-Reformation.
Technical Analysis
Vouet's oil on panel combines the dramatic lighting of his Italian Caravaggist phase with the more idealized figure type and softer modeling he developed after returning to France, creating the elegant synthesis that defined early French Baroque painting.
Provenance
Marquis Laurent de Migieu (Paris, France), by descent to Vicomte René de Vaulchier; Vicomte René de Vaulchier, Chateau de Savigny-les-Beaune, Cote d'Or; Sale: Guy Loudmer, Palais d'Orsay, Paris, June 6, 1978, no. 30; Sale: Guy Loudmer, Hotel Drouot, Paris, December 14, 1987, no. 24; Matthiesen Fine Art (London, England), sold to the Cleveland Museum of Art; The Cleveland Museum of Art, Cleveland, OH







