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Saint Mary Magdalen by Simon Vouet

Saint Mary Magdalen

Simon Vouet·c. 1630

Historical Context

Simon Vouet's Saint Mary Magdalen (c. 1630) dates from after his return to Paris from fifteen years in Italy, where he had absorbed both Caravaggist naturalism and the classicizing Baroque style of Bologna. Vouet was recalled to France by Louis XIII in 1627 to serve as Premier Peintre du Roi, and he effectively established the French Baroque style, training the next generation of French painters including Le Brun, Le Sueur, and Mignard. This Magdalen — the repentant sinner gazing heavenward — became one of the most popular devotional subjects of the Counter-Reformation.

Technical Analysis

Vouet's oil on panel combines the dramatic lighting of his Italian Caravaggist phase with the more idealized figure type and softer modeling he developed after returning to France, creating the elegant synthesis that defined early French Baroque painting.

Provenance

Marquis Laurent de Migieu (Paris, France), by descent to Vicomte René de Vaulchier; Vicomte René de Vaulchier, Chateau de Savigny-les-Beaune, Cote d'Or; Sale: Guy Loudmer, Palais d'Orsay, Paris, June 6, 1978, no. 30; Sale: Guy Loudmer, Hotel Drouot, Paris, December 14, 1987, no. 24; Matthiesen Fine Art (London, England), sold to the Cleveland Museum of Art; The Cleveland Museum of Art, Cleveland, OH

See It In Person

Cleveland Museum of Art

Cleveland, United States

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Quick Facts

Medium
Oil on panel
Dimensions
130.8 × 103.5 cm
Era
Baroque
Style
French Baroque
Genre
Religious
Location
Cleveland Museum of Art, Cleveland
View on museum website →

More by Simon Vouet

Christ on the Cross with Mary Magdalene by Simon Vouet

Christ on the Cross with Mary Magdalene

Simon Vouet·c. 1645

Woman Playing a Guitar by Simon Vouet

Woman Playing a Guitar

Simon Vouet·ca. 1618

Saint Jerome and the Angel by Simon Vouet

Saint Jerome and the Angel

Simon Vouet·c. 1622/1625

Madonna and Child by Simon Vouet

Madonna and Child

Simon Vouet·1633

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