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Self-Portrait in Rome by Horace Vernet

Self-Portrait in Rome

Horace Vernet·1832

Historical Context

Vernet's Self-Portrait in Rome from 1832 was painted during his directorship of the French Academy in Rome (1829-1835), when he presided over the official French artistic presence in the Eternal City. The directorship was among the most prestigious appointments available to a French artist, giving its holder responsibility for the education of the Prix de Rome winners who studied in Rome for four years at the French state's expense. Vernet's self-portrait in this context was a statement of professional identity — the director in Rome, at the center of the French artistic establishment's most significant international institution.

Technical Analysis

Vernet's oil on canvas presents a confident, direct self-image with warm Roman light, fluid brushwork, and the naturalistic precision that characterized his approach to portraiture and figure painting.

Provenance

Vicomte de Breteuil, Paris, by 1923.; Paris sale, Pavillon Gabriel, 17 June 1977 (lot 46, repr.), Autoportrait, to Frederick Mont, New York.; Purchased by the CMA in 1977.

See It In Person

Cleveland Museum of Art

Cleveland, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
65 × 54.2 cm
Era
Romanticism
Style
French Romanticism
Genre
Portrait
Location
Cleveland Museum of Art, Cleveland
View on museum website →

More by Horace Vernet

Portrait of a "Mamelouk" by Horace Vernet

Portrait of a "Mamelouk"

Horace Vernet·1810

Arab Warrior by Horace Vernet

Arab Warrior

Horace Vernet·ca. 1817–22

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet by Horace Vernet

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet

Horace Vernet·1833 or later

Combat of a Greek and a Turk by Horace Vernet

Combat of a Greek and a Turk

Horace Vernet·after 1835

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Portrait of Emmanuel Rio

Albert Schindler·1836