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Portrait of a Woman by Agnolo Bronzino

Portrait of a Woman

Agnolo Bronzino·c. 1550

Historical Context

Agnolo Bronzino's Portrait of a Woman (c. 1550) is a masterful example of Mannerist court portraiture from Medici Florence. Bronzino served as official painter to Duke Cosimo I de' Medici and his wife Eleonora of Toledo, creating portraits that defined the image of Florentine aristocracy — cool, composed, and impenetrably elegant. His female portraits are characterized by their porcelain-smooth surfaces, precise rendering of luxurious fabrics and jewels, and a psychological distance that conveys aristocratic reserve and unassailable social standing.

Technical Analysis

Bronzino's oil on wood panel exhibits the enamel-like surface and meticulous precision that define Mannerist portraiture at its finest, with every pearl, embroidered detail, and fold of silk rendered with crystalline clarity.

Provenance

Stadelscher Museums-Verein, Frankfurt, in 1882;; Freifau Mumm von Schwarzenstein, Frankfurt;; Baron Max von Grunelius, Frankfurt;; [David M. Koester, Zurich], sold to the Cleveland Museum of Art, 1972.

See It In Person

Cleveland Museum of Art

Cleveland, United States

Visit museum website →

Quick Facts

Medium
Oil on wood
Dimensions
60 × 48.8 cm
Era
Mannerism
Style
Mannerism
Genre
Portrait
Location
Cleveland Museum of Art, Cleveland
View on museum website →

More by Agnolo Bronzino

Virgin and Child with the Young Saint John the Baptist by Agnolo Bronzino

Virgin and Child with the Young Saint John the Baptist

Agnolo Bronzino·c. 1530

The Holy Family by Agnolo Bronzino

The Holy Family

Agnolo Bronzino·c. 1527/1528

A Young Woman and Her Little Boy by Agnolo Bronzino

A Young Woman and Her Little Boy

Agnolo Bronzino·c. 1540

Eleonora di Toledo by Agnolo Bronzino

Eleonora di Toledo

Agnolo Bronzino·c. 1560

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