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The Burning of the Houses of Lords and Commons, 16 October 1834 by J. M. W. Turner

The Burning of the Houses of Lords and Commons, 16 October 1834

J. M. W. Turner·1835

Historical Context

Turner's Burning of the Houses of Lords and Commons (1835) at the Cleveland Museum of Art records the catastrophic fire of October 16, 1834, that destroyed the medieval Palace of Westminster in a conflagration visible across London. Turner witnessed the fire from the south bank of the Thames, sketching it in watercolor on the spot, and quickly produced two oil paintings for exhibition. The subject was ideal for his mature style: the combination of destructive fire, reflections in the Thames, the London crowd watching, and the dissolution of familiar architecture into pure light and color gave him every element he needed. The Cleveland version is one of the most complete expressions of his late style, the burning buildings barely distinguishable from the luminous sky that surrounds them.

Technical Analysis

The fire's orange and yellow flames are reflected in the Thames, creating Turner's characteristic interplay of light on water. The buildings dissolve into flame and smoke, with the brushwork becoming increasingly free as forms merge with the conflagration's atmospheric effects.

Look Closer

  • ◆Notice how the burning buildings dissolve into the fire: Turner renders the medieval Palace of Westminster as it disappears, architecture becoming identical with the conflagration consuming it.
  • ◆Look at the crowd on the south bank: thousands of Londoners rendered as dark silhouettes against the reflected fire, they are simultaneously witnesses and the painting's evidence that this really happened.
  • ◆Observe the Thames reflecting the fire: the river surface becomes a second fire below the real one, doubling the destruction and making the entire pictorial space a field of burning light.
  • ◆Find traces of medieval architecture within the flames: towers and windows are briefly visible before dissolving into the general conflagration Turner depicts as the old order's end.

Provenance

Bought from the artist by John Garth Marshall [1765-1845], Headingly House, Leeds, United Kingdom, and by descent.; (Christie's, London, United Kingdom, April 28, 1888, under the name of Ponsford.; Descended in the Marshall family through Victor Marshall of Mark Coniston to James Marshall.; (Leicester Gallery, London, United Kingdom, 1920, sale; but returned to owner); (Knoedler, London, United Kingdom, 1922, sold to John L. Severance); John L. Severance [1863-1936], Cleveland, OH, by bequest in 1936 to the Cleveland Museum of Art; The Cleveland Museum of Art, Cleveland, OH

See It In Person

Cleveland Museum of Art

Cleveland, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
92 × 123.2 cm
Era
Romanticism
Style
British Romanticism
Genre
History
Location
Cleveland Museum of Art, Cleveland
View on museum website →

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