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A Young Man with a Chain by Rembrandt van Rijn

A Young Man with a Chain

Rembrandt van Rijn·c. 1629 or 1632

Historical Context

Rembrandt's Young Man with a Chain (c. 1629–32) at the Cleveland Museum is an early tronies — a character study of an unidentified figure in historical or exotic costume, produced for commercial sale rather than as a commissioned portrait. Rembrandt's tronies were important experimental works in which he explored the expressive possibilities of light, shadow, and physiognomy without the constraints of portrait likeness. The chain — a symbol of noble rank or military achievement — gives the young man a historical or theatrical character, and the dramatic chiaroscuro lighting creates the strong light-and-shadow effects that Rembrandt was developing from Caravaggio's influence during his Leiden years.

Technical Analysis

The portrait on wood demonstrates Rembrandt's early, relatively smooth technique before he developed the heavier impasto of his mature style. The gold chain catches light with precise highlights, demonstrating his skill at rendering reflective surfaces.

See It In Person

Cleveland Museum of Art

Cleveland, United States

Visit museum website →

Quick Facts

Medium
Oil on wood
Dimensions
57.8 × 43.8 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Portrait
Location
Cleveland Museum of Art, Cleveland
View on museum website →

More by Rembrandt van Rijn

Jacob's Farewell to Benjamin by Rembrandt van Rijn

Jacob's Farewell to Benjamin

Rembrandt van Rijn·c. 1655

Old Man with a Gold Chain by Rembrandt van Rijn

Old Man with a Gold Chain

Rembrandt van Rijn·1631

The Raising of Lazarus by Follower of Rembrandt van Rijn

The Raising of Lazarus

Follower of Rembrandt van Rijn·c. 1630

Young Man in a Turban by Follower of Rembrandt van Rijn

Young Man in a Turban

Follower of Rembrandt van Rijn·c. 1650

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