
Unfinished Study of Sheep
Constant Troyon·c. 1850
Historical Context
Constant Troyon's Unfinished Study of Sheep, painted around 1850, reveals the working method of one of the leading animal painters of the Barbizon school. Troyon, who began as a landscape painter, devoted himself to animal subjects after seeing Paulus Potter's work in Holland in 1847. His studies of livestock were painted from life in the fields around Paris, and this unfinished work captures the raw observation before studio refinement.
Technical Analysis
The unfinished state reveals Troyon's direct technique of building animal forms through broad, confident strokes of earth-toned paint. The sheep are massed as tonal shapes rather than detailed outlines, demonstrating the painterly approach that distinguishes his work from more Academic animal painting.
Provenance
Henry Field (died 1890), Chicago; his widow Mrs. Florence Lathrop Field; given to the Art Institute, 1894.







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