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St. Gerardo Sagredo, Bishop of Csanád by Bernardo Strozzi

St. Gerardo Sagredo, Bishop of Csanád

Bernardo Strozzi·1633

Historical Context

Bernardo Strozzi painted Saint Gerardo Sagredo, Bishop of Csanád in 1633, during his mature Venetian period after leaving Genoa. Gerardo Sagredo was an 11th-century Venetian Benedictine monk who became a missionary bishop in Hungary, was martyred in 1046, and was canonized in 1083—making him a particular object of Venetian civic pride. Strozzi's portrait-like treatment of the saint, dressed in full episcopal vestments, reflects the Counter-Reformation Church's emphasis on holy individuals as accessible intercessors. Strozzi brought to Venetian painting a Genoese directness derived from Flemish and Rubensian influence, and his bold handling of surfaces—the glinting gold of embroidered vestments, the weight of liturgical fabric—sets this work apart from the softer traditions of earlier Venetian religious art.

Technical Analysis

Strozzi's broad, confident brushwork is evident in the luminous episcopal robes, where impasto catches light across gold thread and crimson fabric. The face is rendered with psychological directness, and the strong diagonal of the bishop's staff drives the composition. A dark background throws the figure into sharp relief.

Provenance

Possibly commissioned by Niccolò Sagredo (d. 1685), 1633; possibly Sagredo collection until at least 1685 [for dating of inventory, see Mazza p. 89]. Thomas Egerton, 2nd Earl of Wilton, England, by 1857 [lent to 1857 Manchester exhibition]. Mrs. H. Danninger, England. Antonio Morassi, by 1957; sold to Wildenstein, July 1957, New York; sold to Art Institute, 1958.

See It In Person

Art Institute of Chicago

Chicago, United States

Gallery: Gallery 211

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
130.3 × 100 cm
Era
Baroque
Style
Italian Baroque
Genre
Portrait
Location
Art Institute of Chicago, Chicago
Gallery
Gallery 211
View on museum website →

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