
Saint Jerome in the Wilderness
Paolo Veronese·1585–90
Historical Context
This Saint Jerome in the Wilderness was produced by the workshop of Paolo Veronese between 1585 and 1590, during the final years of the master's life when workshop production was at its peak. After Veronese's death in 1588, his sons and workshop members continued to produce paintings under his name, making attribution in his late work particularly complex. The penitent Saint Jerome in a landscape was a standard devotional subject that allowed for both figure study and landscape painting.
Technical Analysis
The oil on canvas demonstrates the characteristic Veronese workshop palette of silvery tones and luminous coloring. The landscape setting and the muscular figure of the saint are rendered with the fluid brushwork of the Venetian tradition, though the handling suggests workshop execution rather than the master's personal touch.
Look Closer
- ◆Notice the silvery tones and luminous coloring characteristic of the Veronese workshop palette in this late painting of Saint Jerome.
- ◆Look at the muscular figure of the saint set in a landscape rendered with the fluid brushwork of the Venetian tradition.
- ◆Observe that the handling suggests workshop execution rather than the master's personal touch, reflecting the complex attribution questions of Veronese's late works.
Provenance
Rev. John Sanford, Florence and London, by 1837 [see Sanford catalogue, 1837, p. 19, no. 102.] Sold Christie's, London, March 9, 1839, no. 131, for £23 2s, to G. Yates. Possibly George Byng (1764-1847) or his nephew George Byng (1806-1886), second earl of Strafford of the third creation, Wrotham Park, Barnet (Middlesex) [according to information supplied by M. Knoedler; but unverified.] A.L. Nicholson, London, by 1930 [see letter of 20 February 1930 from Bernard Berenson to Nicholson in curatorial file]. M. Knoedler, New York, acquired December 1944 (stock no. A 2989) and sold to the Art Institute, May 10, 1945.

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