ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContact

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Cupid Chastised by Bartolomeo Manfredi

Cupid Chastised

Bartolomeo Manfredi·1613

Historical Context

Bartolomeo Manfredi's Cupid Chastised from 1613 is one of the most powerful paintings by the Italian artist who codified the Caravaggist style for the international community of painters working in Rome. The startling subject of Mars punishing Cupid transforms a mythological theme into a dramatically physical confrontation. Manfredi's style, known as the "Manfrediana methodus," was described by contemporaries as the definitive interpretation of Caravaggio's revolution.

Technical Analysis

Manfredi's oil-on-canvas technique employs powerful Caravaggesque chiaroscuro with life-sized figures dramatically illuminated against a dark background. The muscular physicality of the figures and the violent action are rendered with a directness that epitomizes the Caravaggist manner.

Provenance

Commissioned by Agostino Chigi (died 1644), Siena, through the agency of Giulio Mancini in March 1613; painting completed by October 1613 [see Wazbinski, 1996]; by descent in the Chigi family, Siena and Rome [recorded in 1644 Chigi inventory: "Un quadro con cornici di noce di alto braccia due 3/4 large braccia due rappresenta un soldato [Mars] che spezza [Amour] presente Venere, la quale cerca difenderlo, opera di Bartolomeo Manfredi Milanese scudi cento 100," see Archivio Chigi Armadio CCCLI]; by descent to Fabio Chigi, later Pope Alexander VII (died 1667), Rome [recorded in 1657 Chigi inventory, no. 57, “Un quadro dipinto di un Marte che spezza Amore e Venere che finge tenerlo [illegible] con strata alto p[a]lmi 7 incirca largo 5 1/2 incirca di Bartolomeo Manfredi con cornice dorata liscia,” see Archivio Chigi Armadio CCCLXXXI]; by descent to his nephew, Agostino Chigi III, Rome (died 1705) [Moir, 1985]; by descent to Prince Ludovico Chigi Albani della Rovere (1866-1951), Palazzo Chigi, Rome until at least 1917; the painting was probably moved to Ludovico Chigi's residence in Ariccia, near Rome, 1917, when the palazzo became property of the Italian government [according to c. 1983 draft of Moir article in Museum studies 1985, copy in curatorial file]. Armando Brasini (1879-1965), Rome, by c. 1935 [according to Carlo Sestieri’s letter, October 3, 1988, in curatorial file stating that he saw it there when he was 13]; Wildenstein and Company, New York and Paris, by 1938 [Voss 1938, p. 30 and Moir 1985]; sold by Wildenstein to Charles H. Worcester, Chicago, 1939 [letters from Wildenstein to Worcester, Nov. 16 and 21, 1939, in curatorial file]; lent to the Art Institute from 1939; given to the Art Institute, 1947.

See It In Person

Art Institute of Chicago

Chicago, United States

Gallery: Gallery 211

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
175.3 × 130.6 cm
Era
Baroque
Style
Italian Baroque
Genre
Mythology
Location
Art Institute of Chicago, Chicago
Gallery
Gallery 211
View on museum website →

More by Bartolomeo Manfredi

Saints Peter and Paul by Bartolomeo Manfredi

Saints Peter and Paul

Bartolomeo Manfredi·1620s

Soldier with the head of John the Baptist by Bartolomeo Manfredi

Soldier with the head of John the Baptist

Bartolomeo Manfredi·1501

The Martyrdom of Saint Bartholomew by Bartolomeo Manfredi

The Martyrdom of Saint Bartholomew

Bartolomeo Manfredi·1622

Maidservant from a 'Denial of Saint Peter' (fragment) by Bartolomeo Manfredi

Maidservant from a 'Denial of Saint Peter' (fragment)

Bartolomeo Manfredi·1620

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

Lodovico Carracci·c. 1602

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612