
Cupid Chastised
Bartolomeo Manfredi·1613
Historical Context
Bartolomeo Manfredi's Cupid Chastised from 1613 is one of the most powerful paintings by the Italian artist who codified the Caravaggist style for the international community of painters working in Rome. The startling subject of Mars punishing Cupid transforms a mythological theme into a dramatically physical confrontation. Manfredi's style, known as the "Manfrediana methodus," was described by contemporaries as the definitive interpretation of Caravaggio's revolution.
Technical Analysis
Manfredi's oil-on-canvas technique employs powerful Caravaggesque chiaroscuro with life-sized figures dramatically illuminated against a dark background. The muscular physicality of the figures and the violent action are rendered with a directness that epitomizes the Caravaggist manner.
Provenance
Commissioned by Agostino Chigi (died 1644), Siena, through the agency of Giulio Mancini in March 1613; painting completed by October 1613 [see Wazbinski, 1996]; by descent in the Chigi family, Siena and Rome [recorded in 1644 Chigi inventory: "Un quadro con cornici di noce di alto braccia due 3/4 large braccia due rappresenta un soldato [Mars] che spezza [Amour] presente Venere, la quale cerca difenderlo, opera di Bartolomeo Manfredi Milanese scudi cento 100," see Archivio Chigi Armadio CCCLI]; by descent to Fabio Chigi, later Pope Alexander VII (died 1667), Rome [recorded in 1657 Chigi inventory, no. 57, “Un quadro dipinto di un Marte che spezza Amore e Venere che finge tenerlo [illegible] con strata alto p[a]lmi 7 incirca largo 5 1/2 incirca di Bartolomeo Manfredi con cornice dorata liscia,” see Archivio Chigi Armadio CCCLXXXI]; by descent to his nephew, Agostino Chigi III, Rome (died 1705) [Moir, 1985]; by descent to Prince Ludovico Chigi Albani della Rovere (1866-1951), Palazzo Chigi, Rome until at least 1917; the painting was probably moved to Ludovico Chigi's residence in Ariccia, near Rome, 1917, when the palazzo became property of the Italian government [according to c. 1983 draft of Moir article in Museum studies 1985, copy in curatorial file]. Armando Brasini (1879-1965), Rome, by c. 1935 [according to Carlo Sestieri’s letter, October 3, 1988, in curatorial file stating that he saw it there when he was 13]; Wildenstein and Company, New York and Paris, by 1938 [Voss 1938, p. 30 and Moir 1985]; sold by Wildenstein to Charles H. Worcester, Chicago, 1939 [letters from Wildenstein to Worcester, Nov. 16 and 21, 1939, in curatorial file]; lent to the Art Institute from 1939; given to the Art Institute, 1947.

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