
Holy Family with the Infant St. John
Francesco Trevisani·c. 1700
Historical Context
Francesco Trevisani's Holy Family with the Infant Saint John exemplifies the refined late Baroque devotional painting that flourished in early 18th-century Rome. Trevisani, who came from Istria to Rome, became one of the most sought-after painters of religious subjects for popes, cardinals, and European courts. His gentle, sweetly colored Madonnas influenced a generation of Roman painters and were widely copied.
Technical Analysis
Trevisani's smooth, blended brushwork creates soft, idealized flesh tones and luminous draperies in rich blues and reds. The pyramidal composition and gentle sfumato recall Raphael and Correggio, filtered through the sensibility of the Roman late Baroque.
Provenance
Possibly in Schönborn collection at Pommersfelden, Bavaria, in the eighteenth century [unattributed dealer's note in curatorial file; not at Pommersfelden earlier than 1719, when all holdings copied in watercolor by Bys, and before 1894 (not in Pommersfelden collection catalogue of that date)]. Mr. and Mrs. Richard Reed Armstrong, by 1978; given to Art Institute, 1978.




