
The Wedding at Cana
Giuseppe Maria Crespi·c. 1686
Historical Context
Giuseppe Maria Crespi's Wedding at Cana, painted around 1686, depicts Christ's first miracle — transforming water into wine at a marriage feast — with the naturalistic, genre-like approach that made Crespi one of the most original Italian painters of the late Baroque. Working in Bologna, Crespi broke from the academic classicism that dominated his city's painting tradition, infusing religious subjects with the informal, everyday quality that anticipates eighteenth-century developments.
Technical Analysis
Crespi's oil-on-canvas technique features his characteristic warm, shadowy palette with figures emerging from deep tenebrism. The handling is remarkably free for the period, with loose, almost sketch-like brushwork that gives the scene a spontaneous, informal quality unusual in Italian religious painting.
Provenance
Commissioned by Giovanni Ricci, Bologna, c. 1686 [Zanotti 1739, p. 36]; by descent to his nephew, Antonio Marchesini, Bologna, by 1739 [Zanotti 1739, p. 36]; by descent to Filippo Marchesini, Strada Maggiore, Bologna, by c. 1765 [included in Marcello Oretti, “Descrizione delle Pitture che ornano Le Case de Cittadini della Città di Bologna," [1765], Bologna, Biblioteca Comunale, MS.B.109, (pt. 1), pp. 6–7, see Calbi and Scaglietti Kelescian 1984 pp. 86–87]; bought by Dr. Giacomelli, Bologna, c. 1766 (Crespi, 1769, pp. 205–06). Palazzo Sampieri, Bologna, by 1789 until 1830 [mentioned by Lanzi 1789 and Ticozzi 1850]. Maurice Marignane, Paris [according to record in Registrar's office]. C. Marshall Spink, London by 1956; sold to the Art Institute, 1956.
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