
Virgin and Child with Saint Elizabeth and the Infant Saint John the Baptist
Jacques Blanchard·c. 1628
Historical Context
Jacques Blanchard's Virgin and Child with Saint Elizabeth and the Infant Saint John from around 1628 represents the French Baroque painter known as the "French Titian" for his Venetian-influenced colorism. Blanchard spent three years in Venice absorbing the warm palette and sensuous brushwork of Titian and Veronese, bringing these qualities back to Paris where they offered an alternative to the dominant classicism of Poussin and Vouet.
Technical Analysis
Blanchard's oil-on-canvas technique demonstrates his Venetian-influenced approach with warm, rich coloring and soft, blended brushwork. The luminous flesh tones and flowing draperies create the sensuous warmth that earned him the "French Titian" sobriquet.
Provenance
Rosa Maria Brender de Berenbau (of Montvideo, Uruquay), Paris, by 1955/56 [according to a letter of 20 March 1981 from Charles Sterling to Susan Wise in curatorial file]; sold to Sam Salz, New York, probably by 1961 [see Sterling 1961 and letter cited above]; given to the Art Institute, 1963.





