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Amédée-David, the Comte de Pastoret by Jean Auguste Dominique Ingres

Amédée-David, the Comte de Pastoret

Jean Auguste Dominique Ingres·1823–26

Historical Context

Ingres's portrait of Amédée-David, Comte de Pastoret from 1823-26 depicts a French aristocrat and lawyer who served as Peer of France and member of the Académie française. Ingres was working primarily in Florence during this period, and the portrait reflects his mature style's combination of exact linear description with a warm, unified light that gave his sitters the quality of Renaissance marble come to life. His male portraits tend toward a greater formality and psychological reserve than his female ones, the sitter's social authority expressed through compositional clarity and the precision of his observation of dress and bearing.

Technical Analysis

Ingres's portrait technique combines hair-thin drawing with smooth, enamel-like paint surfaces. The sitter's costume is rendered with meticulous attention to fabric texture and drape, while the face is modeled with subtle, luminous flesh tones. The composition projects authority through the figure's commanding pose and the painting's large scale.

See It In Person

Art Institute of Chicago

Chicago, United States

Gallery: Gallery 220

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
103 × 83.5 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
Art Institute of Chicago, Chicago
Gallery
Gallery 220
View on museum website →

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Portrait of Luigi Edouardo Rossi, Count Pellegrino

Follower of Jean Auguste Dominique Ingres·c. 1820

Joseph-Antoine Moltedo (born 1775) by Jean Auguste Dominique Ingres

Joseph-Antoine Moltedo (born 1775)

Jean Auguste Dominique Ingres·ca. 1810

Edmond Cavé (1794–1852) by Jean Auguste Dominique Ingres

Edmond Cavé (1794–1852)

Jean Auguste Dominique Ingres·1844

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