
A Youth Relating Tales to Ladies
Simeon Solomon·1870
Historical Context
'A Youth Relating Tales to Ladies' of 1870, now at Tate, is among Solomon's most elegant and socially complex late Pre-Raphaelite works, depicting a scene of shared aesthetic pleasure in which a young man narrates stories to a group of women in a classical or timeless setting. The Tate holding makes this one of Solomon's most publicly accessible canvases and it has been extensively discussed in relation to his biography — the year before his career reached its apex in the early 1870s. The subject of storytelling connects to the oral tradition of poetry and myth that Solomon celebrated throughout his career, and the intimate grouping of figures around a central narrator offers him the compositional challenge of depicting attentive, pleasurably absorbed reception — an aesthetic state he shared with Moore but expressed through social narrative rather than pure formal arrangement.
Technical Analysis
The multi-figure composition requires Solomon to coordinate several individual expressions of engaged listening against the central figure of the storytelling youth. His characteristic use of androgynous male beauty for the narrator type is fully developed here, and the palette of warm ivory and deep burgundy creates a rich chromatic atmosphere appropriate to the intimate social occasion depicted.
Look Closer
- ◆Each listening figure is individualised in posture and expression, creating a study in the different registers of aesthetic absorption.
- ◆The youth narrator's position — slightly elevated and oriented toward his audience — creates a natural focal point that organises the surrounding figures.
- ◆Warm ivory and deep burgundy create a chromatic atmosphere of intimate evening gathering that reinforces the social closeness of the scene.
- ◆The hands of the storytelling figure are used expressively as an extension of the narrative, with gesture that translates spoken language into visual form.

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