Romanticism

c. 1820–1850

Romanticism arose as a passionate reaction against Neoclassical rationalism and the dehumanizing forces of industrialization. Where Neoclassicism valued reason, order, and classical models, Romanticism celebrated emotion, imagination, and the sublime power of untamed nature. Turner dissolved the visible world into veils of light and color; Friedrich placed solitary figures before vast, overwhelming landscapes; Delacroix painted scenes of violent passion and exotic splendor.

Goya, who bridges Neoclassicism and Romanticism, created the most psychologically extreme images of the era, from the savage Disasters of War to the nightmarish Black Paintings. Constable's revolutionary plein-air landscapes influenced the entire subsequent development of French painting. The Romantic movement established the modern idea of the artist as a visionary outsider, creating from personal inspiration rather than academic convention. It is an idea that still shapes our understanding of artistic creation.

Paintings (4,475)

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836

Study of Pigs by Alexandre Gabriel Decamps

Study of Pigs

Alexandre Gabriel Decamps·c. 1855

Courtyard by Alexandre Gabriel Decamps

Courtyard

Alexandre Gabriel Decamps·c. 1855

Portrait of a Man by Antonio Maria Esquivel

Portrait of a Man

Antonio Maria Esquivel·1843

The Interior of the Palm House on the Pfaueninsel Near Potsdam by Carl Blechen

The Interior of the Palm House on the Pfaueninsel Near Potsdam

Carl Blechen·1834

Théodore Géricault on His Deathbed by Charles Emile Champmartin

Théodore Géricault on His Deathbed

Charles Emile Champmartin·1824

Village in Brittany by Charles François Daubigny

Village in Brittany

Charles François Daubigny·1844

The Roll Call of the Last Victims of the Terror by Charles Louis-Lucien Muller

The Roll Call of the Last Victims of the Terror

Charles Louis-Lucien Muller·c. 1850

The Cloisters, San Lorenzo fuori le mura by Christoffer Wilhelm Eckersberg

The Cloisters, San Lorenzo fuori le mura

Christoffer Wilhelm Eckersberg·1824

Unfinished Study of Sheep by Constant Troyon

Unfinished Study of Sheep

Constant Troyon·c. 1850

The Marsh by Constant Troyon

The Marsh

Constant Troyon·1840

Head of a Roebuck and Two Ptarmigan by Edwin Henry Landseer

Head of a Roebuck and Two Ptarmigan

Edwin Henry Landseer·c. 1830

Wounded Stag and Dog by Edwin Henry Landseer

Wounded Stag and Dog

Edwin Henry Landseer·c. 1825

The Combat of the Giaour and Hassan by Eugène Delacroix

The Combat of the Giaour and Hassan

Eugène Delacroix·1826

Arab Horseman Attacked by a Lion by Eugène Delacroix

Arab Horseman Attacked by a Lion

Eugène Delacroix·1849–50

The Actor Maximilian Korn in a Landscape by Ferdinand Georg Waldmüller

The Actor Maximilian Korn in a Landscape

Ferdinand Georg Waldmüller·1828

The Covenant by John Martin

The Covenant

John Martin·c. 1843

Boy on a Ram by Francisco José de Goya y Lucientes

Boy on a Ram

Francisco José de Goya y Lucientes·1786–87

Friar Pedro Shoots El Maragato as His Horse Runs Off by Francisco José de Goya y Lucientes

Friar Pedro Shoots El Maragato as His Horse Runs Off

Francisco José de Goya y Lucientes·c. 1806

Portrait of General José Manuel Romero by Francisco José de Goya y Lucientes

Portrait of General José Manuel Romero

Francisco José de Goya y Lucientes·c. 1810

Winter Scene by Francisco José de Goya y Lucientes

Winter Scene

Francisco José de Goya y Lucientes·c. 1786

El Maragato Threatens Friar Pedro de Zaldivia with His Gun by Francisco José de Goya y Lucientes

El Maragato Threatens Friar Pedro de Zaldivia with His Gun

Francisco José de Goya y Lucientes·c. 1806

Friar Pedro Binds El Maragato with a Rope by Francisco José de Goya y Lucientes

Friar Pedro Binds El Maragato with a Rope

Francisco José de Goya y Lucientes·c. 1806

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun by Francisco José de Goya y Lucientes

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun

Francisco José de Goya y Lucientes·c. 1806

Friar Pedro Clubs El Maragato with the Butt of the Gun by Francisco José de Goya y Lucientes

Friar Pedro Clubs El Maragato with the Butt of the Gun

Francisco José de Goya y Lucientes·c. 1806

The Hanged Monk by Francisco José de Goya y Lucientes

The Hanged Monk

Francisco José de Goya y Lucientes·c. 1810

Friar Pedro Wrests the Gun from El Maragato by Francisco José de Goya y Lucientes

Friar Pedro Wrests the Gun from El Maragato

Francisco José de Goya y Lucientes·c. 1806

Portrait of Isidoro Maiquez by Francisco José de Goya y Lucientes

Portrait of Isidoro Maiquez

Francisco José de Goya y Lucientes·c. 1807

Inside the Colosseum by Franz Ludwig Catel

Inside the Colosseum

Franz Ludwig Catel·c. 1823

Sebastián Martínez y Pérez (1747–1800) by Goya (Francisco de Goya y Lucientes)

Sebastián Martínez y Pérez (1747–1800)

Goya (Francisco de Goya y Lucientes)·1792

Study of a Nude Man by Gustave Courbet

Study of a Nude Man

Gustave Courbet·early 1840s

The Brook of Les Puits-Noir by Gustave Courbet

The Brook of Les Puits-Noir

Gustave Courbet·c. 1855

Italian Landscape by Heinrich Reinhold

Italian Landscape

Heinrich Reinhold·1821–24

Milton Dictating to His Daughter by Henry Fuseli

Milton Dictating to His Daughter

Henry Fuseli·1794

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso) by Henry Fuseli

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

Henry Fuseli·1770–78

Sketch for "Oath on the Rütli" (recto), Female Figure (verso) by Henry Fuseli

Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Henry Fuseli·1779–81 (recto); 1785–90 (verso)

Battle Scene by Hippolyte Bellangé

Battle Scene

Hippolyte Bellangé·c. 1825

Don Quixote and the Windmills by Honoré Daumier

Don Quixote and the Windmills

Honoré Daumier·c. 1850

View of Genoa by Jean Baptiste Camille Corot

View of Genoa

Jean Baptiste Camille Corot·1834

Monte Pincio, Rome by Jean Baptiste Camille Corot

Monte Pincio, Rome

Jean Baptiste Camille Corot·1840–50

Cupid and Psyche by Jean Baptiste Regnault

Cupid and Psyche

Jean Baptiste Regnault·1828

Woman Feeding Chickens by Jean François Millet

Woman Feeding Chickens

Jean François Millet·1846-48

Young Woman by Jean François Millet

Young Woman

Jean François Millet·1844–45

Head of a Guillotined Man by Théodore Géricault

Head of a Guillotined Man

Théodore Géricault·1818–19

Stoke-by-Nayland by John Constable

Stoke-by-Nayland

John Constable·1836

Landscape (The Lock) by John Constable

Landscape (The Lock)

John Constable·c. 1820–25

Landscape with Cottages by John Constable

Landscape with Cottages

John Constable·1809–10

Portrait of the Artist by John Jackson

Portrait of the Artist

John Jackson·c. 1820–30

The Captive Slave (Ira Aldridge) by John Philip Simpson

The Captive Slave (Ira Aldridge)

John Philip Simpson·1827

Whalers by J. M. W. Turner

Whalers

J. M. W. Turner·ca. 1845

Fishing Boats with Hucksters Bargaining for Fish by J. M. W. Turner

Fishing Boats with Hucksters Bargaining for Fish

J. M. W. Turner·1837–38

Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm by J. M. W. Turner

Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm

J. M. W. Turner·1836–37

The Estuary Farm by Jules Dupré

The Estuary Farm

Jules Dupré·1831–34

Nubian Woman by Jules Robert Auguste

Nubian Woman

Jules Robert Auguste·c. 1830

The Movings by Louis-Léopold Boilly

The Movings

Louis-Léopold Boilly·1822

Young Clergyman Reading by Martinus Rørbye

Young Clergyman Reading

Martinus Rørbye·1836

The Diligence by Nicolas Toussaint Charlet

The Diligence

Nicolas Toussaint Charlet·c. 1820–23