Wassily Kandinsky — Gabriele Münter Painting

Gabriele Münter Painting · 1903

Post-Impressionism Artist

Wassily Kandinsky

Russian

49 paintings in our database

Kandinsky is one of the most important figures in the entire history of modern art—the painter most commonly credited with the creation of pure abstraction and the theorist who gave it philosophical grounding.

Biography

Wassily Kandinsky (1866–1944) was a Russian painter and art theorist who is widely credited with creating the first purely abstract paintings and whose theoretical writings laid the philosophical foundation for abstract art. Born in Moscow into an educated family, he studied law and economics at the University of Moscow, where he later taught. At the age of thirty he abandoned a promising academic legal career and went to Munich to study painting, enrolling at the private school of Anton Ažbé and later at the Munich Academy under Franz von Stuck. The paintings in this batch—from 1900 to 1904—represent his late figurative and transitional phase: views of Kochel am See, Dutch subjects from travels to Holland (Rotterdam, Canal in Holland, Scheveningen), Russian religious buildings (Akhtyrka, Red Church), and Bavarian landscapes. The Blue Rider (1903)—one of the works here—is among the most significant paintings in the history of modern art: a tiny figure on a galloping horse dissolving into abstraction, which would give its name to the Blaue Reiter group he would co-found with Franz Marc in 1911. Kandinsky's theoretical masterwork, Concerning the Spiritual in Art (1911), articulated the philosophical basis for non-representational painting. He later taught at the Bauhaus (1922–1933) and at the École des Beaux-Arts in Paris.

Artistic Style

The early works in this batch—Russian townscapes, Dutch harbour views, Bavarian mountains—show a bold, Post-Impressionist colour sense and simplified forms that already suggest the direction Kandinsky would take. His colour is high-keyed and expressive: the deep blue of the Kochel lake, the vivid red church at Akhtyrka, the saturated Dutch canal colours. Compositionally he is already moving toward flattened, pattern-based organisation rather than spatial recession. The Blue Rider prefigures the dissolution of the figure that would follow in his fully abstract work.

Historical Significance

Kandinsky is one of the most important figures in the entire history of modern art—the painter most commonly credited with the creation of pure abstraction and the theorist who gave it philosophical grounding. The Blaue Reiter group he co-founded in Munich in 1911 was one of the pivotal moments of European avant-garde history. His Bauhaus teaching shaped art education internationally. His influence on subsequent abstract painting—from American Abstract Expressionism to European lyrical abstraction—is incalculable.

Things You Might Not Know

  • Kandinsky was 30 years old when he first decided to become a painter — he had completed a law degree and was about to accept a university professorship in Dorpat (now Tartu) when he saw Monet's haystacks at an exhibition in Moscow in 1895 and was overwhelmed by colour as pure emotional force.
  • He claimed to have experienced synesthesia — seeing colour when he heard music — and this formed the theoretical basis for his abstract painting: he believed colour and form could produce musical effects on the viewer without depicting any object.
  • His 'Concerning the Spiritual in Art' (1911) was the first major theoretical text arguing for abstract painting and is still the founding document of abstract art theory.
  • Kandinsky co-founded Der Blaue Reiter (The Blue Rider) almanac in 1911 with Franz Marc — the title came from their shared love of the colour blue and horses, though they disagreed about which of them liked blue more and which liked horses more.
  • He taught at the Bauhaus in Dessau from 1922 to 1933, where his systematic colour theory course became foundational to modern design education worldwide.
  • The Nazis confiscated 57 of his works in 1937 as 'degenerate art'; Kandinsky had fled to Paris in 1933 and never returned to Germany.

Influences & Legacy

Shaped By

  • Claude Monet — Kandinsky's account of seeing Monet's haystack series in 1895 and not recognising the subject — perceiving only colour — is his founding conversion narrative
  • Richard Wagner — Kandinsky was passionate about Wagner's Gesamtkunstwerk concept and believed painting could achieve the total emotional impact of operatic music
  • Arnold Schoenberg — Kandinsky attended one of Schoenberg's concerts in 1911 and was profoundly moved; their subsequent friendship and correspondence was central to both men's move toward abstraction
  • Paul Cézanne — the structural dissolution of form in Cézanne's late work was an important technical precedent for Kandinsky's move away from representation

Went On to Influence

  • Franz Marc — co-founded Der Blaue Reiter with Kandinsky; their shared project launched German abstract Expressionism
  • Paul Klee — taught alongside Kandinsky at the Bauhaus; both developed systematic colour and form theory that became foundational to modern art education
  • Abstract Expressionism (Pollock, de Kooning) — Kandinsky's abstract vocabulary and the concept of painting as pure emotional force was the direct precursor to the New York School
  • Mark Rothko — Kandinsky's idea of colour as spiritual and emotionally immediate is the theoretical foundation for Rothko's colour field paintings

Timeline

1866Born in Moscow
1896Abandons law career; moves to Munich to study painting
1900Studies under Franz von Stuck at the Munich Academy
1902Paints Kochel lake series and Bavarian landscapes
1903Paints The Blue Rider and Gabriele Münter Painting
1904Dutch travels; Rotterdam, Scheveningen, Canal in Holland
1911Co-founds the Blaue Reiter with Franz Marc; begins fully abstract painting
1911Publishes Concerning the Spiritual in Art
1922Joins the Bauhaus in Weimar
1944Dies in Neuilly-sur-Seine, France

Paintings (49)

Contemporaries

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