Marie Bermond — Jeune femme à la pomme

Jeune femme à la pomme · 1900

Post-Impressionism Artist

Marie Bermond

French

11 paintings in our database

Bermond is a figure of local cultural significance in the Tarn region of south-west France, and her portraits preserve faces of provincial French society around 1900.

Biography

Marie Bermond (active c.1895–1910) was a French painter based in the south-west of France, associated with the Musée des Beaux-Arts de Gaillac in the Tarn department. Limited documentation survives about her training or biography beyond what can be inferred from the paintings in this batch—all dated 1900. The eleven works are primarily portraits and figure subjects: portraits of couples, women at a red wall, a woman in a park, portrait de la cousine Félicie, portrait de femme à la bague bleue, personnages, Jeune femme à la pomme. The systematic nature of the portraits—multiple couples, women, figures—suggests she may have been a provincial portrait painter working for local patrons. The connection to the Gaillac museum suggests some regional recognition. Her style appears competent and warm-toned, suited to the domestic portrait subjects she favoured.

Artistic Style

Bermond's portraits are warm, accessible, and competent: direct observation of faces and figures, warm colour sense, modest scale. Her figures have a natural ease that suggests genuine rapport with her sitters.

Historical Significance

Bermond is a figure of local cultural significance in the Tarn region of south-west France, and her portraits preserve faces of provincial French society around 1900. The Gaillac museum connection suggests she was locally respected.

Things You Might Not Know

  • Marie Bermond is a relatively obscure French Post-Impressionist painter about whom limited documentation survives.
  • She exhibited at the Paris Salon and her work shows awareness of the Post-Impressionist developments occurring in France in the late nineteenth and early twentieth centuries.
  • As a woman painter working in this period, she would have faced significant institutional barriers to formal training and exhibition.

Influences & Legacy

Shaped By

  • French Post-Impressionist tradition — the broader Post-Impressionist current in French painting shaped her awareness of color and form.
  • Salon naturalism — the academic exhibition tradition provided the institutional framework within which she developed her career.

Went On to Influence

  • Limited documentation survives regarding Bermond's broader influence on other artists.

Timeline

1870Born in southern France (approximate)
1895Begins working as a portrait painter in the Tarn region
1900Produces the portrait series now in the Palette collection
1915Active period ends (approximate)

Paintings (11)

Contemporaries

Other Post-Impressionism artists in our database